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Groove Templates

A groove template stores the milliseconds of push and lag, not the note pattern.

1 min read0 characters条目Sequencing and ClockUpdated 2026-10-31

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A template is not a note pattern

Hand the same beat to another drummer and the notes land in nearly the same places, yet it sounds like a different record. What changes is how far the second sixteenth is pushed, how many milliseconds the snare sits behind the beat, how the hi-hat velocities curve. A template stores those deviations, not the pattern; saving the notes only saves a loop.

What to measure

ItemUsual rangeWhat it does
Sixteenth swing54–62%Sets straight versus swung
Kick ahead5–15 msLow end arrives first, feels steadier
Snare behind10–25 msCreates the laid-back backbeat
Velocity range40–110Controls dynamics and breath
Note lengthHi-hat 30–80 msControls dryness and density

These numbers are starting points. A real template is tuned to the tempo and instrumentation of the song; the faster the music, the less the same millisecond gap is perceived.

Extracting one, then scaling it to tempo

Pick the steadiest eight bars, align the transients to the grid, measure the deviation on each beat and average. One section overfits: the four sections of a single drum take may not share the same feel. Make two or three variants, one tight, one loose, one behind, rather than one universal template.

When the template follows tempo, the millisecond offsets need to scale, or slow songs drag and fast songs stiffen. A change of instrumentation matters too: a template built around room-mic tails may lose those tails when the kit becomes samples. A template is a starting point; set the skeleton with it, then adjust to the song.

What a template must not do

It cannot replace arrangement. If the sections have no shape and the bass collides with the kick, no groove template rescues the track. Nor should you import someone else's feel wholesale; the template should contain your own choices, or every song turns into a copy of the same session.

Listen in the library

funk · 80 BPM · beat 4/4C12:1480 BPM 放克,底鼓与军鼓的落点差异就是可以存下来的手感(C1)Detailssoul-groove3 · 86 BPM · beat 4/4C10:3686 BPM 的灵魂乐循环,适合做“松”模板的参照(C1)Detailshiphop-groove6 · 87 BPM · beat 4/4C10:4687 BPM 的嘻哈循环,适合检验十六分摇摆要留多少(C1)Detailsjazz-swing · 124 BPM · beat 4/4C12:54124 BPM 爵士摇摆,三连音网格的落差是模板的核心参数(C1)Details

All tracks from midicn-lib — inline badge is the license tier (C1 commercial / C2 non-commercial / C3 study only).

Along the same line

Sources

  • Ableton Live 用户手册,Groove Pool 与 warp 标记(厂商文档)
  • Magenta, Groove MIDI Dataset 数据说明(公开数据集文档)
  • Bernard Purdie 关于 half-time shuffle 的公开访谈