midicnAudio & Music Production 中文

Arpeggiator

Turns a held chord into a sequence of single notes fired one after another.

An arpeggiator breaks a held chord into single notes, firing them in a set order and rate.

The problem

One hand holds the chord and the other plays the melody, leaving no hand for continuous sixteenths. The arpeggiator turns a static chord into a moving figure with controllable order and speed.

How it works

It reads the held notes, orders them up, down, up-down, randomly or as played, then triggers them one by one at the chosen note value. Octave range sets how far it reaches, gate sets how long each note sounds, and latch keeps it running after release.

Settings and practice

Use a sixteenth rate, one or two octaves and a gate of fifty to eighty percent. Shorten the gate for air and lengthen it for a pad. Leave latch off when changing chords live, and record to MIDI so individual notes can be edited later.

What to listen for

Hear whether the spacing is even and whether accents follow the velocity you played. Against a hand-played arpeggio, the machine is tighter while the hand carries weight and small anticipations.

Common misunderstandings

An arpeggiator is not a sound source; it only reorders existing notes. Up-down patterns do not always repeat the end notes, depending on the implementation. A drawn arpeggio can sound close to a live one but edits very differently.

Listen in the library

Das Wohltemperierte Klavier: Book 1, BWV 846-869: Prelude in C major BWV 846C12:50平均律第一册 C 大调前奏,整段由分解和弦构成DetailsTrippy ArpeggiosC10:48曲名即琶音,旋律在和弦音之间来回DetailsGymnopédie No.1C13:17左手分解和弦铺底,音型重复且有方向Details

All tracks from midicn-lib — inline badge is the license tier (C1 commercial / C2 non-commercial / C3 study only).

Sources

  • 琶音器的排序模式与门限参数,依合成器与音序软件说明核查,未抄文本
  • 实时琶音与手写琶音的差别,依键盘演奏通识核查,未抄文本

Used for fact-checking only; all prose is original.